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Dynamic
Sounds Studio has it's roots firmly set in Jamaica's history. It was the
first state of the art studio built in Kingston, Jamaica and a firm favourite
with all the top flight homespun artists. Bob Marley chose to record the
bulk of his seminal 'Catch A Fire' album there and many foreign musicians
trying to catch some of that reggae magic and emulate that sound have beaten
a path to it's doors. As you will see the studio had a history already of
it's own, that was carved out before it became the aptly named Dynamic Sounds.
Originally named WIRL Studio's (West Indies Records Limited), it was set up initially to record Jamaica's versions of the American Rhythm and Blues tunes that were proving so popular on the island. It was started back in 1958 by Political leader Edward Seaga an astute businessman, who had many interests around the island including clubs and bars. As the R & B music evolved into it's own styles from Mento into Ska, one of it's main protagonists Byron Lee and his band the Dragonaires would be at the forefront and be seen as ambassadors to the cause. Edward Seaga would choose the band to head the 1964 Worlds Fair and take them to New York to showcase the Jamaican Ska Music. His political ambitions leading the American friendly JLP (Jamaican Labour Party) against the Cuban inspired PNP (People's National Party), would see him cutting back his other interests and lead to the selling of WIRL, lock stock and barrel to Byron Lee. On taking over the business he renamed it Dynamic Sounds and extended it to include not only a top of the range recording studio but a pressing plant to distribute the new hot sounds of the day directly to the streets of Jamaica. The address would also change to 15 Bell Road, it's old address No 13, seemingly too unlucky for such a fine establishment. The studio has become part of the Jamaican culture
and each twist and turn in it's musical story has been caught and recorded
here. We get on board when the music had slowed down to the reggae skank
that we now know and love. We have picked some fine cuts that we feel
best represent the times. The rhythms are pushed to the fore and the great
Sylvan Morris a much underrated studio master, always came up with some
interesting effects to enhance the version cuts. A fine time in reggae's
history caught at one of Jamaica's finest studio's. Dynamic Sounds from
a Dynamic Studio.....
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